Protected Under
Antiquities Act 1975
31°34'29.3"N 74°18'49.0"E
Antiquities Act 1975
Qutb ud din Aibak died while playing Polo in 1210 AD
The Best Time to Visit Punjab Province is Year long as it has bearable Cold winters and Hot Summers. However, Summers can get really Hot and precautions are recommended during Daytime visits.
The tomb of Qutb ud-Din Aibak is located at the northern end of Anarkali Bazaar in Lahore, Pakistan. This site commemorates a significant historical figure who established the Mamluk, or Slave Dynasty, which marked the beginning of the Delhi Sultanate in India. The tomb lies in a densely built and historically congested area, and its exact burial location is approximately 250 meters north of the present structure, near the Lahori Gate of the Walled City of Lahore.
Qutb ud-Din Aibak was born in 1150 in Central Asia. He was sold into slavery and raised in Nishapur. He eventually became a slave in the service of Shahabuddin Ghori, the founder of the Ghorid Empire. Aibak rose rapidly through the ranks due to his skills and loyalty. Recognizing his abilities, Shahabuddin Ghori appointed him Amir-i-Akhur (Master of the Slaves) and later entrusted him with military and administrative responsibilities. Aibak played a key role in Ghori’s invasions of India, contributing to the annexation of large areas of northern India.
In recognition of his service, Aibak was appointed as the viceroy or governor of the Indian territories conquered by Shahabuddin Ghori. Following Ghori's assassination by the Ghakkars near Jhelum in 1206, Qutb ud-Din Aibak assumed independent control of these territories. On 24 July 1206, he declared himself the ruler and established the Slave Dynasty, initiating the era of the Delhi Sultanate. He was the first of ten successive rulers, many of whom were also of slave origin, which led to the dynasty being commonly referred to as the ‘Slave Dynasty’. This line of rulers governed the Indian subcontinent until 1290.
Tomb of Qutb ud din Aibak, Anarkali, Lahore
Model of Qutb Minar in the Wall of the tomb
Qutb ud-Din Aibak’s rule was brief. He died in Lahore in 1210 as a result of a fall from his horse while playing chuaghan (polo). He was buried in Lahore, initially outside the Lahori Gate of the Walled City. The original tomb, which marked his burial site, was reportedly a two-storeyed structure. According to the tourist information board currently at the site, the tomb had marble cladding and architectural detailing. However, it suffered extensive damage during the Sikh period, particularly under the rule of Maharaja Ranjit Singh, when many historical sites were vandalized and the original structure was destroyed.
The tomb remained hidden for decades, obscured beneath residential buildings and encroachments.
According to Nazir Ahmad Chaudhry in his book A Short History of Lahore and Some of Its Monuments, the location of Aibak’s grave was discovered accidentally in a narrow, difficult-to-access street. Archaeologists identified the burial site through an epitaph. In the late 1960s, the Government of Pakistan undertook efforts to reclaim the site. After acquiring the house built atop the grave, the area was cleared. In 1970, the Department of Archaeology and Museums reconstructed the tomb and established it as a historical site. A new road, named Aibak Road, was also constructed, linking Hospital Road to Anarkali Bazaar and providing improved access to the tomb.
Since its reconstruction, the tomb of Qutb ud-Din Aibak has been protected under the Antiquities Act of 1975. It stands today not only as a marker of his final resting place but also as a reminder of the origins of the Delhi Sultanate and the legacy of the Mamluk rulers in the history of South Asia.
Interior of Tomb of Qutb Minar
Carved Calligraphy in Marble
The tomb of Qutb ud-Din Aibak is situated within a small garden enclosure in the Anarkali area of Lahore. This enclosure, measuring approximately 60 feet by 120 feet, is bounded on two sides by urban construction. Aibak Road runs along the northern side of the site, while a narrow street borders the western side. The entire perimeter is enclosed by a finely designed yellow sandstone railing, creating a distinct boundary for the historical site within its dense urban setting.
The present tomb structure was constructed in 1970 by the Department of Archaeology, Government of Pakistan. The reconstruction was designed to reflect the architectural style associated with the Sultanate period. Materials chosen for the tomb include yellow sandstone sourced from Thatta, which was widely used during Sultuante Period, and white marble, creating a striking contrast in both structure and ornamentation.
Architecturally, the tomb follows a cuboid form with a simple, compact massing. The structure is symmetrical in plan, with a square chamber measuring roughly 25 feet x 25 feet. The design features an octagonal dome that crowns the chamber, in keeping with the Sultanate tradition. The tomb lacks minarets or large domes, and instead, maintains a restrained composition, focusing on carved detail and proportion.
The main tomb building is placed on an elevated platform, accessible by a short flight of stairs. Each of the four exterior walls is similarly designed, with variations in decorative elements. A central pointed ogee arch, filled with a delicately carved marble jali or lattice screen, dominates each face. These screens are divided into rectangular panels, themselves filled with finer latticework. The arches are framed by panels carved with Quranic verses, while broader surrounding panels display intricate arabesque patterns.
The interior chamber of the tomb mirrors the exterior symmetry. It is designed as an octagon, with four sides featuring arched jali windows and the remaining four adorned with mihrabs. The cenotaph of Qutb ud-Din Aibak, crafted in white marble, lies at the centre of the chamber. A small entrance on the western face allows access to the interior, through an opening within the arched marble jali.
Entrance to the tomb of Qutb ud din Aibak
Decoration across the structure includes a number of symbolic references to Aibak’s legacy. The outer boundary wall of the enclosure incorporates 25 miniature models of the Qutb Minar, employed as engaged columns. These features, styled after the famous minaret in Delhi initiated by Aibak himself, are repeated throughout the perimeter as recurring decorative elements. The wall adjacent to the tomb enclosure is also adorned with similar column-like motifs referencing the Qutb Minar.
Calligraphic and ornamental detailing enhances the architectural character of the tomb. Carved panels bearing Surah Yasin in white marble are placed vertically on either side of the entrance. The wooden entrance door is intricately carved, reflecting traditional craftsmanship. These features, together with the architectural form and material palette, contribute to the visual and historical identity of the tomb as a commemorative structure rooted in the early Sultanate tradition.
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All Photographs by Syed Noor Hussain and Sania Azhar.
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